Jeremy > May 25, 2009; Day 23.

The Redwood.

Early on our last morning in Vermont, I found a crisp and clean sky far from city lights. Immediately I thought it might be fun to capture this building under star trails.  I had no idea whether Polaris would be present in this shot or not.  Almost all of the lights in this house can be dimmed and all that are visible here are set quite low.  A constant porch light just out of frame below the right side of this house is pointing down onto gravel; the reflection from that is illuminating the trees to the right.

The shutter was open for nearly 52 minutes, the longest I have yet imposed upon the D700.  On this camera I can disable long exposure noise reduction and have done so here.  That’s why there is noise in the sky.  If I could have stayed up all through the night I might have tried the same exposure again with noise reduction turned on and compared.  Mostly I’d want to see how much detail is lost by the reduction, if any.

Of course now that I know where Polaris is, I'd have re-positioned the tripod slightly. Next time.

Vacation ended with a trip to the Cabot Creamery annex store in Stowe to get a month or two’s worth of Vermont cheddar, which could be the finest cheese on Earth.  We also enjoyed watching a very experienced glass blower make a beautiful vase starting with a few wads of molten glass, an apprentice, and a 2100-degree crucible.  Overall, it was a very enjoyable weekend and I’m almost sorry that it was over so quickly.  Alas, real life beckons in just a few hours.

Raw: Color Temperature: 3050K; Tint: +3
Raw: Recovery: 100
Raw: Blacks: 7
Raw: Contrast: +55
Raw: Saturation: +8
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > May 22, 2009; Day 20.

Vermont Revisited.

Peter and I are spending another Memorial Day weekend in Vermont with 9 of our friends.  I have the feeling that this trip will be better than last year’s because the Icelandic horse ride is being replaced with a hike to Vermont’s highest peak, Mt. Mansfield.  That hike will be tomorrow and I’m sure the POTD will be from that.

Today we warmed up with this 6-mile bike ride that ended at one of the bridges that I photographed during the Vermont photo workshop last October.  The ride was mostly flat and nice.  With the sun behind clouds, the temperature and light was perfect.

Raw: Color Temperature: 4400K; Tint: +28
Raw: Recovery: 100
Raw: Blacks: 6
Raw: Brightness: +51; Contrast: +54
Raw: Saturation: +8
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > May 24, 2008; Day 22. I took many pictures on my last full day here in Vermont, including a bunch finally taken with my 300mm exotic (the baby of that family). I was very pleased with its performance. Blue Jays are a dime a dozen here in New England but they're skittish. I had to sit out at the edge of the woods for about an hour to get a decent set of photos to choose from. This was long enough to realize that the song of the Blue Jay is not necessarily shrill and annoying. I detected 3 distinct songs, two of which were pleasant.

No post processing; JPEG from camera.
Jeremy > May 23, 2008; Day 21. The Moose Meadow Lodge in Duxbury Vermont is where I'm staying this weekend. It's a very comfortable log cabin with 4 bedrooms. When we arrived home from dinner there was just the slightest bit of dusk remaining. I considered doing an HDR but found that a severe yellow to blue color adjustment (+74) seemed to both bring out the blue sky and reduce the hotness of the light. There's more to be done here (clone out the red tape, rotate slightly), but I'm really enjoying this vacation.
Jeremy > May 22, 2008; Day 20. I'm on a little vacation at a bed & breakfast on 86 acres in Vermont. I took a hike and found this sign. It made me laugh out loud with the camera and all. I could have paid more attention to my composition and my background, but... well, I'm on vacation. I'll be taking lots more photos tomorrow.

No post processing...JPEG from camera.
May 25, 2009; Day 23.

The Redwood.

Early on our last morning in Vermont, I found a crisp and clean sky far from city lights. Immediately I thought it might be fun to capture this building under star trails. I had no idea whether Polaris would be present in this shot or not. Almost all of the lights in this house can be dimmed and all that are visible here are set quite low. A constant porch light just out of frame below the right side of this house is pointing down onto gravel; the reflection from that is illuminating the trees to the right.

The shutter was open for nearly 52 minutes, the longest I have yet imposed upon the D700. On this camera I can disable long exposure noise reduction and have done so here. That’s why there is noise in the sky. If I could have stayed up all through the night I might have tried the same exposure again with noise reduction turned on and compared. Mostly I’d want to see how much detail is lost by the reduction, if any.

Of course now that I know where Polaris is, I'd have re-positioned the tripod slightly. Next time.

Vacation ended with a trip to the Cabot Creamery annex store in Stowe to get a month or two’s worth of Vermont cheddar, which could be the finest cheese on Earth. We also enjoyed watching a very experienced glass blower make a beautiful vase starting with a few wads of molten glass, an apprentice, and a 2100-degree crucible. Overall, it was a very enjoyable weekend and I’m almost sorry that it was over so quickly. Alas, real life beckons in just a few hours.

Raw: Color Temperature: 3050K; Tint: 3
Raw: Recovery: 100
Raw: Blacks: 7
Raw: Contrast: 55
Raw: Saturation: 8
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > May 25, 2009; Day 23.

The Redwood.

Early on our last morning in Vermont, I found a crisp and clean sky far from city lights. Immediately I thought it might be fun to capture this building under star trails.  I had no idea whether Polaris would be present in this shot or not.  Almost all of the lights in this house can be dimmed and all that are visible here are set quite low.  A constant porch light just out of frame below the right side of this house is pointing down onto gravel; the reflection from that is illuminating the trees to the right.

The shutter was open for nearly 52 minutes, the longest I have yet imposed upon the D700.  On this camera I can disable long exposure noise reduction and have done so here.  That’s why there is noise in the sky.  If I could have stayed up all through the night I might have tried the same exposure again with noise reduction turned on and compared.  Mostly I’d want to see how much detail is lost by the reduction, if any.

Of course now that I know where Polaris is, I'd have re-positioned the tripod slightly. Next time.

Vacation ended with a trip to the Cabot Creamery annex store in Stowe to get a month or two’s worth of Vermont cheddar, which could be the finest cheese on Earth.  We also enjoyed watching a very experienced glass blower make a beautiful vase starting with a few wads of molten glass, an apprentice, and a 2100-degree crucible.  Overall, it was a very enjoyable weekend and I’m almost sorry that it was over so quickly.  Alas, real life beckons in just a few hours.

Raw: Color Temperature: 3050K; Tint: +3
Raw: Recovery: 100
Raw: Blacks: 7
Raw: Contrast: +55
Raw: Saturation: +8
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
May 25, 2009; Day 23.

The Redwood.

Early on our last morning in Vermont, I found a crisp and clean sky far from city lights. Immediately I thought it might be fun to capture this building under star trails. I had no idea whether Polaris would be present in this shot or not. Almost all of the lights in this house can be dimmed and all that are visible here are set quite low. A constant porch light just out of frame below the right side of this house is pointing down onto gravel; the reflection from that is illuminating the trees to the right.

The shutter was open for nearly 52 minutes, the longest I have yet imposed upon the D700. On this camera I can disable long exposure noise reduction and have done so here. That’s why there is noise in the sky. If I could have stayed up all through the night I might have tried the same exposure again with noise reduction turned on and compared. Mostly I’d want to see how much detail is lost by the reduction, if any.

Of course now that I know where Polaris is, I'd have re-positioned the tripod slightly. Next time.

Vacation ended with a trip to the Cabot Creamery annex store in Stowe to get a month or two’s worth of Vermont cheddar, which could be the finest cheese on Earth. We also enjoyed watching a very experienced glass blower make a beautiful vase starting with a few wads of molten glass, an apprentice, and a 2100-degree crucible. Overall, it was a very enjoyable weekend and I’m almost sorry that it was over so quickly. Alas, real life beckons in just a few hours.

Raw: Color Temperature: 3050K; Tint: 3
Raw: Recovery: 100
Raw: Blacks: 7
Raw: Contrast: 55
Raw: Saturation: 8
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
See photo in original gallery.

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