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Jeremy  > Photo Diary > My 40th Year
This gallery is a complete chronicle of my 40th year, starting on my birthday in 2008. I posted one photo each day for a year. The photo-a-day project continues in this gallery here.
Gallery pages:  <<  <  36  37  38  39  40  41  >  
< 334 of 365 >
Jeremy > April 1, 2009; Day 334.

Steam, No Starch.

I had no intention of going on a steam quest this week, but I did hope to find easy subjects so that I could actually make some progress on the spring cleaning project.  I now have two of the four major rooms of my house done.  These rooms haven’t looked so good in a long time.  If I had more time I’d definitely be practicing interior lighting while they’re in this condition!

My new friend James Hill says that steam is better photographed using the largest light source possible.  (I love these kind of comments!)  I don’t yet have any softboxes, so barring diffused sunlight coming through a south-facing window, I turned to my hot lamp and pass-through umbrella.  These items are perched on a light stand immediately to the left of the frame (the closer they are to the subject, the bigger the source of the light).  The light is reflecting perfectly on the shiny surface of the iron, which is why it’s so “hot.”  Changing the angle of the iron would have mitigated some of this, although I can’t say I dislike it.

The trick with this shot was timing the release of steam with one hand and the shutter release with the other.  It sounds easy but it was not!

Raw: Crop: 9.7MP
Raw: Color Temperature: 2850K; Tint: 0
Raw: Recovery: +100
Raw: Saturation: +8
PS: Curves adjustment for additional contrast
PS: Curves adjustment for Velvia effect
PS: Hue/Saturation: Hue: +5; Saturation: -5
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > April 2, 2009; Day 335.

Morning Tea.

I had no idea that a series exploring steam photography would generate so many great comments.  Thanks to all of you.  My new friend Kashaaf suggested a steamy silhouette, and I did attempt it tonight but without much satisfaction.  This shot is more underexposure than silhouette.  Still, backlighting continues to be best for steam.

A steamy silhouette is challenging because the steam itself still needs to be against a dark background.  Against the light source, the steam disappears because it doesn’t block the light.  The nice thing about kettles is that they emit steam off to one side.  The problem I had tonight was too much ambient light falling on the walls and door frames.  To do this right I probably should use actual sunlight streaming in.  Then the walls would almost certainly be darker.

I should have tried this with the flash too.  There wouldn’t have been any motion, but here the density of steam is greater and maybe it would have looked good.

The light source is a halogen hot lamp sitting on the other side of my kitchen door. The window in the door has tissue paper taped to it to diffuse the light. I warmed the light by 1200 Kelvins to give it a sunrise feel.

Raw: Color Temperature: 4050K; Tint: 0
Raw: Fill Light: +5
Raw: Saturation: +8
PS: Curves adjustment for additional contrast
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > April 3, 2009; Day 336.

Pastameister.

Today was a very long day spent cleaning and making pasta for a party Peter and I are hosting tomorrow.  There are 4 kinds shown here: mushroom, herb, garlic, and regular.  This is roughly 9 hours of work. There is so much pasta here that I had to go to Home Depot to get dowels and set them up on my stepladder as a makeshift drying rack. No need to buy one of those $15 "Is this a joke?" pasta drying racks at the mall. This $7 solution worked great! (Stepladder not included. :~)

Lesson learned: you cannot over-mince your fresh herbs for herb pasta.  You can under-mince them, and this may be a problem; we shall see.  Tomorrow I’ll make the sauces just ahead of the arrival of the guests.  Peter made 2 of the 8 batches of pasta (the second batch entirely on his own), as well as dessert, and even bought a few items for the house.  What a guy.

PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > April 4, 2009; Day 337.

Anticipation.

This is my friend Rich waiting patiently for the dinner bell to ring. His face suggests that the pasta party will be a hit, which makes me glad. Seven batches of pasta were almost fully consumed by the 20 of us.  That’s about 3/4 cup of flour per person!  I’m really glad I didn’t make 6 batches instead.  Most of the guys had a different favorite sauce which meant that the pasta depleted at an even rate.

At left is the herb pasta in bolognese; next is the mushroom pasta in a veloute sauce; the little batch hiding in the back is the regular pasta in a butter and cheese sauce, and the foreground bowls at right contain the garlic pasta in a veggie sauce with a highly concentrated beef stock.  That recipe is showing in the open "Pasta Bible" book; it is supposed to be served in a flaming wheel of Parmesan cheese. A tad lavish, I think!

It was really nice to give back to the friends who have been so good to us over the many years I have lived here.  In that time I have amassed many more than 20 friends, so I’ll be hosting another one of these for another set of friends in two weeks.  Good times!

Raw: Color Temperature: 3950K; Tint: -4
Raw: Recovery: +50
Raw: Fill Light: +10
Raw: Saturation: +6
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > April 5, 2009; Day 338.

Texture In Hand.

I remember seeing my mom’s hands after a few years on the farm and marveling at the texture carved into her palms from the toil of being farmers.  At the time she was younger than I am now, and sadly, my hands have not worked nearly as hard.  Still, there’s lots of texture in there.

The assignment for Week 4 in my close-up photography class is to capture texture with and without the help of a reflector.  Here, my hand is in the sunlight streaming in from the right.  Yes, the right.  Only little patches of the sunlight are illuminating my hand; most is blocked by the fingers you don’t see.  On the left is my 12-inch gold reflector which is in full sun and therefore, throwing a lot of golden light.  Most of this light is reaching my hand.

The macro lens was set to 1:2 since I originally wanted to get much more of the hand in the shot.  The texture of this crop is better, so I should have gotten closer with the camera.

This image was submitted to the class.

Raw: Crop: 5.7MP
Raw: Color Temperature: 4950K; Tint: -20
Raw: Recovery: +40
Raw: Saturation: +10
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > April 6, 2009; Day 339.

Connected.

Tonight I was in Portsmouth as usual on a Monday but I was on assignment this time: I pledged to get my friend George reconnected to his wireless.  He switched from a DSL connection to cable and *POOF*, his wireless router stopped working.  The router merely needed to be reconfigured for cable.  Once I had done that, we tested it to be sure it was working; here he’s already logged into Netflix adjusting his preferences, happy as can be!  He let me know that my next assignment will be bringing over the right cable so that his streaming Netflix movies can be watched on the larger TV in this room.  I probably could have done this tonight but each time I visit him, it’s good dinner and hearty laughs all night.  The connection can wait!

This was shot using ambient light.  The light sources are the warm incandescent bulb behind George and the cool blue light coming from the LCD screen.  Blue light is not flattering for portraits (neither is an ultra wide angle lens!) so I used the Channel Mixer to desaturate the color.  This method of desaturation offers control over each of the color channels.  Here, I want the blue light on George’s face to be bright, so I gave most of the emphasis to the blue channel.  

Here’s the original from the camera if you’d like to see this shot in not-so-great color. The greenish warmth in the room is due to the camera’s auto white balance correcting for the blue LCD light. The room can be easily corrected in Photoshop, but it makes the light striking George much bluer. Black and white to the rescue!

PS: Channel Mixer: Custom preset, Gray output, Red: 10%; Green: 40%; Blue: 50%; Monochrome
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > April 7, 2009; Day 340.

Psychedelic Duck.

This week I embarked on yet another photography class at the Perfect Picture School of Photography.  This time, it’s the 12-week course called The Joy of Photography.  In week 1, one of the assignments is to shoot something ordinary in an extraordinary way.  This is a smallish rubber duck sitting in a tube used to gift a bottle of wine.  My friends Marty and Kevin attended the pasta party last weekend and gave me this.  The wine is long gone, but this gift tube will come in handy again I’m sure.

This duck was bought for my Art of Seeing class last year, in order to show abandonment as a concept photo.

The lighting here is an LED flashlight being held on the left side of the lens. I also tried this shot with a ring flash but I liked the shadows here better.

I still have one assignment left to do for my close-up photography class, but I need a good block of time around sunrise to do it.  Maybe on Saturday.

Kashaaf observed that I’m a “num lock on” kind of guy.  Scary but true!  I also got some specific questions: My photos are processed on a 2003 Dell XPS with a 20-inch LCD monitor and a 500GB hard drive.  It was top of the line in 2003 but it’s a bit long in the tooth now.  I use Photoshop CS3 and the Adobe Camera Raw plugin.  I haven’t yet learned to use Bridge; I still use Windows Image and Fax Viewer to do the bulk of the purging.

The backpack that goes with me everywhere contains the following: D700, 14-24mm f/2.8, 24-70mm f/2.8, 70-210mm f/4-5.6, 50mm f/1.8 (all Nikkors), Tamron 90mm f/2.8 macro, SB-600 and SB-900 strobes, extension tubes, Lee GND filter set, Lee circular polarizer, and various cables.  The 300mm f/2.8 and teleconverters are carried separately if I think I’ll use them.  I’m missing the 70-200mm f/2.8 and the 16mm fisheye.  Some day I will put all this gear in one place and photograph it.

Raw: Color Temperature: 5350K; Tint: -13
Raw: Recovery: +100
Raw: Saturation: +6
PS: Curves: Medium Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > April 8, 2009; Day 341.

Ultra Power.

Another of the assignments for Week 1 in the Joy of Photography course is to select just one lens (preferably one you don’t use often) and spend a whole day with it.  In the middle of the work week, a “whole day” is an hour or two so I’m not sure that this will count.  But I did stick with the 50mm prime lens for this subject and found a couple of good angles.  I may actually defer this assignment to the weekend so that I really have to endure the spirit of the assignment: being “stuck” with just one lens, getting to know it, and getting a lot of keepers.

The key light for this shot is a 90-watt floodlamp just to the right of the frame, near the 2:00 position and pointing at the bowl.  Some fill is provided by the overhead incandescent room light. Putting the key light in this position turns it into backlighting, which you need to brighten the droplets of water being ejected by the rotating wisk. This is a shot that would not work with flash!

I imagine that Oliver will see this shot and say, “You and your handles!”

Click here to see this image in color.

I still have one photograph to chase down for the closeup photography class, which concludes this week.  The assignment is the capture of specular highlights.  When I finally get one, I’ll explain what they are.

Raw: Color Temperature: 3150K; Tint: 0
Raw: Recovery: +100
Raw: Saturation: +6
PS: Curves: Strong Contrast preset
PS: Channel Mixer: Custom preset, Gray output, Red: 10%; Green: 10%; Blue: 80%; Monochrome
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > April 9, 2009; Day 342.

Liquor Frill.

One of the things I enjoy about hard liquor is the way it’s packaged.  The bottles are often of a unique shape and sometimes there are frills on the bottle like this little loop of rope.  My friend Brian gave us this bottle of Frangelica last year and I always thought that the rope would make a nice macro.

Getting good texture from the rope is important here, so sidelighting is necessary.  The rope is 3 dimensional, so it will cast a deep shadow if the light is small and harsh.  To soften the shadows, I’m pointing my flash directly at a gold reflector that is standing to the right of the bottle.  None of the flash light is striking the bottle directly; it’s all diffused by the reflector.

I found that by going monochrome, the hairs on the rope stood out even more, so I picked sepia.

The full text of this Old English font? "According to the legend, Frangelico lived three centuries ago in a hilly area bound by the right bank of the river Po. He lived as a hermit and through his love of nature and knowledge of its secrets created unique recipes for liqueurs. The most precious one of all was a liqueur made from wild hazelnuts with infusions of berries and flowers to enrich the flavour. We continue the tradition by proudly offering this fine liqueur in honour of his name."

Here’s the original JPEG from the camera if you'd like to see a yellow bottle lit with gold light. Not as bad as you might think.

Thank you James Hill for your comment on yesterday’s shot!  I love it when people point out the parts of a photo they don’t like. It gives me something to work toward.

Raw: Color Temperature: 3900K; Tint: +30
Raw: Saturation: +8
PS: Hue/Saturation: Colorize; Hue: +37; Saturation: +25 (Sepia)
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
April 1, 2009; Day 334.

Steam, No Starch.

I had no intention of going on a steam quest this week, but I did hope to find easy subjects so that I could actually make some progress on the spring cleaning project. I now have two of the four major rooms of my house done. These rooms haven’t looked so good in a long time. If I had more time I’d definitely be practicing interior lighting while they’re in this condition!

My new friend James Hill says that steam is better photographed using the largest light source possible. (I love these kind of comments!) I don’t yet have any softboxes, so barring diffused sunlight coming through a south-facing window, I turned to my hot lamp and pass-through umbrella. These items are perched on a light stand immediately to the left of the frame (the closer they are to the subject, the bigger the source of the light). The light is reflecting perfectly on the shiny surface of the iron, which is why it’s so “hot.” Changing the angle of the iron would have mitigated some of this, although I can’t say I dislike it.

The trick with this shot was timing the release of steam with one hand and the shutter release with the other. It sounds easy but it was not!

Raw: Crop: 9.7MP
Raw: Color Temperature: 2850K; Tint: 0
Raw: Recovery: 100
Raw: Saturation: 8
PS: Curves adjustment for additional contrast
PS: Curves adjustment for Velvia effect
PS: Hue/Saturation: Hue: 5; Saturation: -5
PS: Smart Sharpening: 180-1-Lens Blur
 > April 1, 2009; Day 334.

Steam, No Starch.

I had no intention of going on a steam quest this week, but I did hope to find easy subjects so that I could actually make some progress on the spring cleaning project.  I now have two of the four major rooms of my house done.  These rooms haven’t looked so good in a long time.  If I had more time I’d definitely be practicing interior lighting while they’re in this condition!

My new friend James Hill says that steam is better photographed using the largest light source possible.  (I love these kind of comments!)  I don’t yet have any softboxes, so barring diffused sunlight coming through a south-facing window, I turned to my hot lamp and pass-through umbrella.  These items are perched on a light stand immediately to the left of the frame (the closer they are to the subject, the bigger the source of the light).  The light is reflecting perfectly on the shiny surface of the iron, which is why it’s so “hot.”  Changing the angle of the iron would have mitigated some of this, although I can’t say I dislike it.

The trick with this shot was timing the release of steam with one hand and the shutter release with the other.  It sounds easy but it was not!

Raw: Crop: 9.7MP
Raw: Color Temperature: 2850K; Tint: 0
Raw: Recovery: +100
Raw: Saturation: +8
PS: Curves adjustment for additional contrast
PS: Curves adjustment for Velvia effect
PS: Hue/Saturation: Hue: +5; Saturation: -5
PS: Smart Sharpening: 180-1-Lens Blur
April 1, 2009; Day 334.

Steam, No Starch.

I had no intention of going on a steam quest this week, but I did hope to find easy subjects so that I could actually make some progress on the spring cleaning project. I now have two of the four major rooms of my house done. These rooms haven’t looked so good in a long time. If I had more time I’d definitely be practicing interior lighting while they’re in this condition!

My new friend James Hill says that steam is better photographed using the largest light source possible. (I love these kind of comments!) I don’t yet have any softboxes, so barring diffused sunlight coming through a south-facing window, I turned to my hot lamp and pass-through umbrella. These items are perched on a light stand immediately to the left of the frame (the closer they are to the subject, the bigger the source of the light). The light is reflecting perfectly on the shiny surface of the iron, which is why it’s so “hot.” Changing the angle of the iron would have mitigated some of this, although I can’t say I dislike it.

The trick with this shot was timing the release of steam with one hand and the shutter release with the other. It sounds easy but it was not!

Raw: Crop: 9.7MP
Raw: Color Temperature: 2850K; Tint: 0
Raw: Recovery: 100
Raw: Saturation: 8
PS: Curves adjustment for additional contrast
PS: Curves adjustment for Velvia effect
PS: Hue/Saturation: Hue: 5; Saturation: -5
PS: Smart Sharpening: 180-1-Lens Blur
Camera: Nikon Corporation (Nikon D700) |
More details: exif |
Original size: 3813px x 2542px |
Current: 400px x 267px |
Other sizes: Small • M • L • O |
Share photo: links, forums, blogs |
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