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Jeremy  > Photo Diary > My 40th Year
This gallery is a complete chronicle of my 40th year, starting on my birthday in 2008. I posted one photo each day for a year. The photo-a-day project continues in this gallery here.
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< 325 of 365 >
Jeremy > March 23, 2009; Day 325.

Tailored.

Joe Murphy is one of my favorite people.  He’s the president of my Monday men’s group and has been instrumental in its 30-year success.  Tonight was important for this group because we needed to raise funds to ensure that the group survives the Spring dry season.  The boat for our July sunset cruise must be fully paid in mid-April; we don't start selling any tickets for the event until May.  So we host an auction each March and invite members to donate items, buy items, or both.  We raised $871 tonight, remarkable considering the downturned economy.

Joe is modeling a vest donated by my friend Paul, who made it himself.  Someone in the audience asked Joe to button it for us, so he’s enlisted my friend Raymond to make a quick adjustment to ensure there’s enough room.  These auction nights are important but they’re also a lot of fun, as Joe can construct a story around each item—on the fly—to make us laugh and ultimately, cajole us into buying.

I came home with a couple of house plants, baskets, cordless phone, pillows, a wine rack, and 5 pages worth of website construction work.  All good stuff, inexpensive, and all for a good cause. (The website work will save my butt; I promised to build my friend Steve a website a year ago and haven't yet found the time to do it. Tonight I exchanged money for time, and now everyone will be happy.) Anyway, it looks like this group will survive another year.

Raw: Color Temperature: 3100K; Tint: +23
Raw: Saturation: +8
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > March 24, 2009; Day 326.

Supercut.

I’ve never apologized for the title I gave my daily project: My Daily Photo Diary.  Today’s shot is no exception to the “diary” aspect of the project.  I was at least a month overdue for a haircut.  It was getting out of control.  I was starting to use a comb again!

I told Trish that I am taking a closeup photography class and wanted to take close-ups of my head during the cut.  That was no lie, although technically I’ve already submitted all the wide angle close-ups I need for the class.  But I really love my wide angle lens and will continue to do this as often as possible. The camera also makes for easy conversation...turns out, Trish is a film shooter who remembers loving that class in high school more than any other.

Supercuts uses two colors of light.  The high diffused fluorescents combine with incandescent floods over each chair.  The camera’s auto white balance chose to balance the fluorescent lighting on the walls, leaving nice warm skin tones.  Good choice.  I also used Aperture Priority mode (after setting an ISO such that I was guaranteed not to have any camera shake).  It looks like it metered correctly.  I only needed to apply sharpening.

PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > March 25, 2009; Day 327.

Pastry Bridge.

Week 3 of my close-up photography class is going to be a doozy.  The first photo we are to submit is a kitchen abstract.  You find one or more items from your kitchen and make an abstract image out of that.  Bryan’s example photo was a cheese grater with a lot of colorful light reflecting from wrapping paper.  Easy, right?

I guess I’m forgetting the word “abstract” in this first attempt.  Here I’m trying to turn a pastry blender into the steel girders of a bridge.  I’m using a sheet of light blue paper for the river and some potted yellow geraniums as a field of flowers in the background.  I’ve gelled my external flash with Roscoe color #27 (Medium Red) which is sitting just to the right of the frame.

I won’t be submitting this to the class.  Even if the assignment wasn’t for an abstract, the blue paper isn’t a convincing water, the red flash is spilling into the flowers, there’s a lot of blown out highlights, and that lavender “abutment” just looks silly.  Also the flowers are so full of holes that I needed a lot of healing brush to repair the background.

This was fun even if not very satisfying.  I only spent an hour on it so I’m happy I got this much to show for it. Tomorrow I will try other things.  I wonder if I have challenged myself too much by selecting such a porous kitchen implement.  At least Bryan’s cheese grater always fills the frame.

I shot this with my 50mm prime lens wearing a 20mm extension tube.  I manually focused until the highlight areas on the arches were in focus.

I don’t yet know who “Princess” is.  There are many suspects.  I hope he/she continues to comment!

Raw: Color Temperature: 2650K; Tint: 0
Raw: Saturation: +8
PS: Healing Brush to cope with dark spots
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > March 26, 2009; Day 328.

Moonlit Blender.

Today I continued my pursuit of abstract art with a pastry blender.  I thought it might work better if I had two of them, but I don’t.  But I thought that I could pretend that I have two of them by reflecting the one off of a shiny surface.  Sadly, mirrors are not great for this, because they reflect the image twice (once on the shiny mirror surface itself, and once off the layer of glass above the mirror).  This leads to a ghosted reflection.

I didn’t find anything that would give me a good reflection, but I did notice that the metal plate of my kitchen scale has the same type of metal as the blender.  So I chose it to be my background.  The light is coming solely from my flash.  I’m manually firing it twice, once with a blue filter (Roscoe gel #83) and once with a red filter (Roscoe gel #27).  For both firings, the flash is in the manual mode at 1/16 power.  The shutter is set to the bulb setting because it takes time to replace the gels. Obviously, this was shot in near darkness to ensure that no ambient light got through.

I don’t know if I’ll have time to create another composition for this, so one of these will likely be submitted to the class.

PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > March 27, 2009; Day 329.

Bokeh House.

This will be another of my week 3 submissions for my close-up photography class.  I’m hoping that the class requirement to submit photos at low resolution (800 pixels at 72dpi) will make the trick used here invisible.  Actually, I’m hoping that the trick used isn’t even noticeable right here at high resolution (4256 pixels at 240 dpi).

This was taken with my 300mm f/2.8 VR.  Although this is the baby of the exotic lenses, and although the VR makes this lens hand-holdable, you can’t hold it for long.  It’s just too heavy.  It also doesn’t focus close.  But extension tubes fix that.  Here, I’ve attached 32mm worth to cut the minimum focus distance about in half.

This portion of the assignment was to shoot something inside a frame of bokeh.  The example photo was a house framed by two slanty tree trunks.  I’m not a big fan of foreground bokeh as Oliver can attest.  But I think it works here because it suggests that the flora is offering some protection to the bird.  I suppose you could say that I’m getting over it.  :)

Princess identified himself tonight.  Ha ha!  He was in the top 5 of people I would have guessed.  I love that my friends are dropping by.

Raw: Color Temperature: 4700K; Tint: 0
Raw: Exposure: +0.3
Raw: Recovery: +25
Raw: Saturation: +4
PS: Healing brush for some touch-up
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > March 28, 2009; Day 330.

Another Lazy Day on the Red Carpet.

Today I joined my PFLAG moms at our quarterly council meeting, held for the first time in Margie’s new home.  Margie has two cats, Thunder and Smoky.  They both look sufficiently alike to me that I’m not even sure which one this is.  And yes, the carpet really is this red.  Once again I was blessed with a friendly cat who finds photography gear curious and playful.  Just as I find it!

Tomorrow I should be able to wrap up Week 3 in the closeup photography class.  Then the rest of the day (and week) will be spent spring-cleaning my house in preparation for the first of two pasta parties, the first of which will be held on Saturday.  I hold parties in the spring just to motivate myself to do such a thorough cleaning.

Raw: Color Temperature: 3200K; Tint: -5
Raw: Recovery: +100
Raw: Fill Light: +10
Raw: Saturation: +6
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > March 29, 2009; Day 331.

You Call This Closeup Photography?

I don’t either!  But what I thought was going to be a trivial final piece of the Week 3 assignment in my closeup photography course turned into a head-scratcher.  The assignment was to create a shot of something through a field of “dew.”  If you’ve taken shots of dew on grass or water droplets and if you’re close enough to the drops, you can see what’s reflected by the water: it’s a mini-fisheye lens.

Course instructor Bryan Peterson discovered that he could create a fake dew effect with thick transparent liquids.  He specifically asked us to use a hair product called “Smooth ’n Shine.”  We put drops of it on a horizontal glass surface and then photographed something beneath it.  The focus is on the drops.  If you set your aperture correctly, you should see the actual object in soft focus beneath the table and several small, crisp versions (facing the other way) in the droplets.  In his example shot, he’s shooting an image of a red umbrella flying in the clouds.  Umbrella in the rain, get it?

The problem is, whereas he normally divulges everything in his lessons (even the camera settings), he left almost all of the details of this effect as an exercise for us to figure out.  I found the setup you see here to be the most effective way to maximize the amount of the object you can see in the drops.  The glass surface is on the table in the gap where you'd normally add the leaf. The object is perched on the black bag on the floor.  It's a Wal-Mart gift card.  Putting the camera closer than this causes the drops to turn into little telescopes.

Unfortunately, at this distance the macro lens is much too wide and a horrendous crop is required.  I did try my 70-210mm lens at 210mm, but the telescoping effect comes into play again.  Alas, I will see if I can get Bryan to divulge how he took his umbrella shots.

If you examine this photo at original size, you can see the drops on the glass surface, and the gift card, and the hair product. You can also see how much noise the D80 generates at ISO 800. Wow!

Click here to see the shot I submitted to the class. It is so small that Smart Sharpening was too much for it; I had to go back to Unsharp Mask.

Raw: Color Temperature: 2850K; Tint: +3
Raw: Recovery: +100
Raw: Fill Light: +25
Raw: Saturation: +8
PS: Curves: Medium Contrast preset
PS: Lab a channel adjustment: “Soft light” at 50% opacity
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > March 30, 2009; Day 332.

Social Networker.

I spent a very pleasant evening with my friend George today.  Between the main course and dessert, he noted that he was ready to move beyond “Craig’s List” and into the world of specific social networking.  All he needed were some photos for his profile.  “You know, a few shots of me in my black turtleneck.”  Then he waited for me to notice that he was already wearing his black turtleneck, so I ran off to grab the camera gear.  Luckily, I had everything one needs to take 20 profile shots: camera, flash, tripod, white ceiling, and an empty room with recently refinished floors.  Meanwhile, George had just the right props to construct the attitude he wants to convey.

The remaining shots include George’s head.  But I like how the prop changes the attitude of this shot without the benefit of a particular facial expression.

I think the white balance on this shot is correct.  The walls are actually a very faint shade of green.

Raw: Color Temperature: 5150K; Tint: +3
Raw: Saturation: +10
PS: Curves adjustment for additional contrast
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > March 31, 2009; Day 333.

The Search for Steam.

Tonight I thought I’d find a texture shot in a bowl of Chunky soup for Week 4 of my closeup photography class.  Instead, I chased after the ever-elusive steam shot.  Since I’m spring cleaning this week, I don’t have time tonight to do this right, but I’m certain now that flash is not the right choice for lighting this shot.  The flash is so brief that it’s actually a stop-action shot of each individual molecule of water vapor.  This would be much better with a bit of motion.  We’ll see.

I was right about one thing...backlighting the steam, as much as possible without incurring flare, will be the right way to light it. Compositionally, the soup should be lower in this shot.

I did attempt some texture shots of the soup but it had a distracting film of oil on it.  I also tried a closeup of my own skin and was satisfied enough with the results that I may try that again tomorrow.

Raw: Color Temperature: 5750K; Tint: 0
Raw: Recovery: +40
Raw: Fill Light: +15
Raw: Saturation: +6
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
March 23, 2009; Day 325.

Tailored.

Joe Murphy is one of my favorite people. He’s the president of my Monday men’s group and has been instrumental in its 30-year success. Tonight was important for this group because we needed to raise funds to ensure that the group survives the Spring dry season. The boat for our July sunset cruise must be fully paid in mid-April; we don't start selling any tickets for the event until May. So we host an auction each March and invite members to donate items, buy items, or both. We raised $871 tonight, remarkable considering the downturned economy.

Joe is modeling a vest donated by my friend Paul, who made it himself. Someone in the audience asked Joe to button it for us, so he’s enlisted my friend Raymond to make a quick adjustment to ensure there’s enough room. These auction nights are important but they’re also a lot of fun, as Joe can construct a story around each item—on the fly—to make us laugh and ultimately, cajole us into buying.

I came home with a couple of house plants, baskets, cordless phone, pillows, a wine rack, and 5 pages worth of website construction work. All good stuff, inexpensive, and all for a good cause. (The website work will save my butt; I promised to build my friend Steve a website a year ago and haven't yet found the time to do it. Tonight I exchanged money for time, and now everyone will be happy.) Anyway, it looks like this group will survive another year.

Raw: Color Temperature: 3100K; Tint: 23
Raw: Saturation: 8
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
 > March 23, 2009; Day 325.

Tailored.

Joe Murphy is one of my favorite people.  He’s the president of my Monday men’s group and has been instrumental in its 30-year success.  Tonight was important for this group because we needed to raise funds to ensure that the group survives the Spring dry season.  The boat for our July sunset cruise must be fully paid in mid-April; we don't start selling any tickets for the event until May.  So we host an auction each March and invite members to donate items, buy items, or both.  We raised $871 tonight, remarkable considering the downturned economy.

Joe is modeling a vest donated by my friend Paul, who made it himself.  Someone in the audience asked Joe to button it for us, so he’s enlisted my friend Raymond to make a quick adjustment to ensure there’s enough room.  These auction nights are important but they’re also a lot of fun, as Joe can construct a story around each item—on the fly—to make us laugh and ultimately, cajole us into buying.

I came home with a couple of house plants, baskets, cordless phone, pillows, a wine rack, and 5 pages worth of website construction work.  All good stuff, inexpensive, and all for a good cause. (The website work will save my butt; I promised to build my friend Steve a website a year ago and haven't yet found the time to do it. Tonight I exchanged money for time, and now everyone will be happy.) Anyway, it looks like this group will survive another year.

Raw: Color Temperature: 3100K; Tint: +23
Raw: Saturation: +8
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
March 23, 2009; Day 325.

Tailored.

Joe Murphy is one of my favorite people. He’s the president of my Monday men’s group and has been instrumental in its 30-year success. Tonight was important for this group because we needed to raise funds to ensure that the group survives the Spring dry season. The boat for our July sunset cruise must be fully paid in mid-April; we don't start selling any tickets for the event until May. So we host an auction each March and invite members to donate items, buy items, or both. We raised $871 tonight, remarkable considering the downturned economy.

Joe is modeling a vest donated by my friend Paul, who made it himself. Someone in the audience asked Joe to button it for us, so he’s enlisted my friend Raymond to make a quick adjustment to ensure there’s enough room. These auction nights are important but they’re also a lot of fun, as Joe can construct a story around each item—on the fly—to make us laugh and ultimately, cajole us into buying.

I came home with a couple of house plants, baskets, cordless phone, pillows, a wine rack, and 5 pages worth of website construction work. All good stuff, inexpensive, and all for a good cause. (The website work will save my butt; I promised to build my friend Steve a website a year ago and haven't yet found the time to do it. Tonight I exchanged money for time, and now everyone will be happy.) Anyway, it looks like this group will survive another year.

Raw: Color Temperature: 3100K; Tint: 23
Raw: Saturation: 8
PS: Curves: Linear Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Camera: Nikon Corporation (Nikon D700) |
More details: exif |
Original size: 4256px x 2832px |
Current: 400px x 266px |
Other sizes: Small • M • L • O |
Share photo: links, forums, blogs |
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